8.0 英语 · 2021 · 瑞典,英国 · 动作片
丹尼尔·斯蒂森,Olga Kent,Daniel Nehme,斯坦尼斯拉夫·雅涅夫斯基,Madeleine Vall,娜塔莎·迈尔兹,Stephanie Siadatan,罗伯特·福林,Pasi Antero Remsu,迈克尔·比灵顿,卡米尔·雷米泽斯基,Veera Sepp?l?,Kenneth Wolf Andersen Haugen,萨姆·哈迪,Marcus Alexander Bakke
John Wood left the pieces of a broken civilisation behind, to go back to his roots in the woodland, after a virus pandemic struck the world. Residing in a simple cabin, he only wants peace and to live in harmony with nature. Coming from a long line of timber men, he joined the army and served as a soldier for many years. Rebelling against his superiors for killing civilians und...
8.0 俄语 · 2015 · 俄罗斯 · 爱情片
马特维·雷科夫,玛利亚·波叶扎耶娃,斯坦尼斯拉夫·柳布申,彼得·罗曼诺夫,列娃·安德烈瓦伊达,阿莲娜·契诃娃,维多利亚·伦佐娃
冰寒大地,恶龙肆虐。每到特定日子,人们必须献祭出美丽的女孩,让其成为恶龙的 “新娘”。勇敢的屠龙者历经千辛万苦,凭着对女孩的真爱找到龙的巢穴,将恶龙杀死,这 片土地也因此恢复平静。 数十载后,残暴恶龙与勇敢屠龙者的故事已经成为传说。这天,美丽的公爵小女儿米拉(玛利亚·波兹哈娃 Mariya Poezzhaeva 饰)即将举行盛大婚礼。屠龙者族人们在婚礼上唱起了龙之歌,不料此举竟唤醒了恶龙。新娘米拉被恶龙掳走,遗落在荒无人烟的遗骸岛。在岛上,她遇到一个神秘人阿尔曼(马特维·雷科夫 Matvey Lykov 饰),然而米拉发现,这个有着人类躯体的男子,竟然就是掠夺自己的恶龙。随后米拉与阿尔曼在岛上开始 生活,米拉渐渐的改变了阿尔曼的龙性。不料阿尔曼怕自己变成龙伤害米拉,假装赶走米拉,米拉在海上漂泊被未婚夫救走,婚礼即将再次举行。
5.0 俄语 · 2018 · 俄罗斯 · 战争片
斯坦尼斯拉夫·杜任科夫,谢尔盖·奇尔科夫,维克多·多勃朗拉沃夫,亚历山大·索科洛夫斯基,基里尔·卡罗,叶卡婕琳娜·谢·瓦西利耶娃,尼基塔·塔拉索夫,萨沙·沙图里亚,亚历山大·里科夫,Zara,伊戈尔·别特连科,克里斯蒂娜·布罗德斯基,亚历山大·科尔舒诺夫,叶莲娜·利亚多娃,帕维尔·普里卢茨内,伊戈尔·斯克利亚尔,西蒙·特列斯库诺夫
米哈伊尔是一位年轻的商人,凭着一股狠劲,他迅速取得了成功。他的生活充斥着一系列的商务会议,谈判和公关,根本无暇顾及个人生活,思考除了生意以外的事情。因为从小在孤儿院长大的父亲一直教育他,不能有爱,这会是致命的软肋。最近米哈伊尔与合伙人在一项地产开发项目中遇到了两位“挖掘者”的阻拦,他们要求项目暂停,直到他们完成挖掘被掩埋红军战士的遗体为止。为了摆脱纠缠,米哈伊尔假意跟随其中一人进入地下防空洞,谁知阴差阳错,他居然穿越到了二战期间……作为旁观者,身处战场的米哈伊尔并不会遭遇危险,士兵们也无法感知他的存在。就这样,在一次又一次短暂的穿越中,米哈伊尔看到了人间大爱,看到了那些为了祖国未来而无畏牺牲的无数小我,并且经由线索,他发现那些穿越回去接触到的英雄,居然是他的祖辈。
5.0 其它 · 2001 · 其它 · 喜剧片
伏拉基米尔·布劳德斯基,史黛拉·查娜克娃,斯坦尼斯拉夫·辛杜卡,翁德雷·维特希,佩特拉·斯贝尔克瓦,伊里·拉布斯,齐塔·卡巴托夫,Katerina Pindejová,卢博米尔·科斯特尔卡,Juraj Johanides,祖扎娜·菲亚洛娃,西蒙娜·史达索娃,Magdalena Sidonová,Vlastimil Zavrel,马丁·西塔,Kristýna Vyletová,Sandra Fron
正所谓“少要沉稳老轻狂”,年届不惑的弗兰提斯克·汉那(Vlastimil Brodský 饰)越老越有活力,他不去理会老婆艾蜜莉(Stella Zázvorková 饰)辛苦存下棺材本钱的良苦用心,也懒得搭理那个不成器儿子糟糕的婚姻。弗兰不愿面对即将到来的死亡,只想尽情享受最后的时光。他和剧院的好友艾德(Stanislav Zindulka 饰)假扮各种身份的人,从中得到无限的乐趣,却也因此惹下不少的麻烦。垂暮的生命,因一颗青春顽皮的心而充满光芒…… 本片荣获2002年克里夫兰国际电影节最佳影片奖;2002年捷克金狮奖最佳女主角奖(Stella Zázvorková)、最佳剧本奖和最佳男配角奖(Stanislav Zindulka);2002年捷克皮尔森电影节金翠鸟奖最佳影片奖。
8.0 其它 · 2012 · 俄罗斯 · 战争片
Gediminas Adomaitis,阿纳托利·比利,谢尔盖·别兹鲁科夫,Svetlana Metkina,斯坦尼斯拉夫·杜任科夫
1812年,拿破仑率领大军入侵俄国。在博罗季诺战役即将打响的前夕,法方秘密特工获知了俄国的作战计划,在向拿破仑报告时,被偷偷潜入官邸的俄国贵族青年塔鲁夫获悉。塔鲁夫听闻之后大惊,决定立刻去向俄军汇报,在撤离时遇到美丽的波兰信使贝娅塔,塔鲁夫究竟能否顺利把消息送达,俄军能否扭转战局,战争之后塔鲁夫又会经历什么不可思议的奇遇……,对于战争题材是俄罗斯人有自己理解和表达方式,这部1812无论是宏大的古典式对攻场面,目不暇接的近距离格斗,还有出乎意料的飞艇都让人再度领略俄罗斯电影的风采。
8.0 俄语 / 乌克兰语 · 2015 · 乌克兰 · 美剧
弗拉基米尔·泽连斯基,Vladyslav,Dmytrenko,鲍里斯·阿布拉莫夫,Anastasiya,Chepelyuk,斯坦尼斯拉夫·波克琅,Viktor,Saraykin,Nataliya,Sumskaya,Ekaterina,Kisten,Elena,Kravets,Evgeniy,Koshevoy,Yuriy,Krapov,Aleksandr,Pikalov,安娜·科什马尔,Galina
关于普通学校教师成为乌克兰总统的政治喜剧。 他试图在没有“总统特权”的情况下过平凡生活,努力打造国家的新面貌,并与贪官污吏作斗争。
4.0 捷克语 · 2016 · 捷克,斯洛伐克,克罗地亚 · 动漫电影
克里斯托弗·哈德克,Jan Maxián,David Novotny,翁德雷·特罗扬,马瑞克·塔西里克,塔蒂亚娜·维尔赫莫娃,约瑟夫·索姆尔,Ales Najbrt,Matej Ruppert,Václav Koubek,斯坦尼斯拉夫·辛杜卡,吉里·哈夫尔卡,雅各布·扎塞克,苏珊娜·斯狄沃诺娃
善良孝顺的小精灵希力咕,在相依为命的爷爷因年迈去世后,勇敢踏上了寻找亲人的冒险旅程。他既要学会融入新的家庭,与一些中二叛逆的邪魅小精灵斗智斗勇,还要应对孤独乖僻一心只想捕捉袜子精灵的人类怪教授……惊险刺激又妙趣横生的冒险故事中,蕴藏着充满温情的大智慧。
8.0 俄语 · 2015 · 乌克兰 · 喜剧片
弗拉基米尔·泽连斯基,Vladyslav Dmytrenko,鲍里斯·阿布拉莫夫,Anastasiya Chepelyuk,斯坦尼斯拉夫·波克琅,Viktor Saraykin,Nataliya Sumskaya,Ekaterina Kisten,Elena Kravets,Evgeniy Koshevoy,Yuriy Krapov,Aleksandr Pikalov,安娜·科什马尔,Galina
关于普通学校教师成为乌克兰总统的政治喜剧。 他试图在没有“总统特权”的情况下过平凡生活,努力打造国家的新面貌,并与贪官污吏作斗争。
2.0 英语,法语 · 2005 · 英国,美国 · 悬疑片
丹尼尔·雷德克里夫,艾玛·沃森,鲁伯特·格林特,迈克尔·刚本,玛吉·史密斯,汤姆·费尔顿,蒂莫西·斯波,罗伯特·帕丁森,梁佩诗,大卫·田纳特,马克·威廉姆斯,埃里克·赛克斯,詹姆斯·菲尔浦斯,奥利弗·费尔普斯,邦妮·怀特,克蕾曼丝·波西,加里·奥德曼,杰夫·劳勒,詹森·艾萨克,斯坦尼斯拉夫·雅涅夫斯基,罗伯特·哈迪,阿什莉·阿尔图斯,亚历克斯·帕尔墨,罗格·洛伊德-派克,希拉·艾伦,Su Elli
这是一个不同寻常的学期,魔法学校的盛事:三强争霸赛在霍格沃茨举行。学生们争先报名,希翼获得永恒无上的荣誉。火焰杯在选出三所学校的三名勇士后,竟将未足年龄的哈利也挑选出来。 哈利(Daniel Radcliffe饰)的当选引起其他学生的嫉妒连连,就连铁哥们罗恩(Rupert Grint饰)也首次和他闹起了别扭,哈利感到孤立无援,还好有教父小天狼星和赫敏一直支持他。可总有些好事者如记者丽塔等着看他的好戏。天知道这场比赛是何等艰辛危险,在龙的眼皮下偷蛋,潜入湖底救人,在迷宫中探险……一不小心,甚至可能付出生命的代价。 黑魔王伏地魔的威胁渐渐显现,每一天都险象环生,动人心弦。
8.0 其它 · 1957 · 其它 · 战争片
特雷莎·伊泽夫斯卡,塔杜施·扬查尔,韦恩泽斯洛·格林斯基,塔德乌什·格威亚兹多夫斯基,斯坦尼斯拉夫·米库尔斯基,埃米尔·卡尔维茨,弗拉杰克·舍伊巴尔,Teresa Berezowska,Zofia Lindorf,Janina Jablonowska,Maria Kretz,扬·恩格莱特,Kazimierz Dejunowicz,Zdzislaw Lesniak,马奇·马奇约斯其,亚当·帕夫利克夫
1944年9月底,悲剧性的华沙起义已接近尾声,一支波兰“国家军”在中尉查德拉(Wienczyslaw Glinski 饰)带领下驻防一栋破败的建筑。华沙市内被德军分块切断,与家人失散的作曲家米考只好在这支30人小队中栖身。悬殊的军事差距让战士们心灰意懒,米考的钢琴声有些怪异的飘荡在废墟上空。德军的小型攻势很快让队伍无法招架,全员进入下水道转移阵地。 波兰战士们在没有饮食的下水道中茫然前行,德军不时投放毒气,有一些战士疯掉了,但更多人死在了下水道中。查德拉的队伍很快迷失了方向,战士们也分别迷失在暗无天日的下水道中…… 本片获1957年戛纳电影节评委会大奖。是导演安杰依·瓦伊达(Andrzej Wajda)战争三部曲的第二部。
7.0 俄语 · 1968 · 苏联 · 战争片
斯坦尼斯拉夫·柳布申,阿拉·基米多娃,黑尔佳·戈林,柳德米拉·丘尔辛娜,Nikolay Zasukhin,奥列格·扬科夫斯基,阿列克谢·格拉济林,尤奥扎斯·布德赖蒂斯,阿尔吉曼塔斯·马修利斯,Mikhail Pogorzhelsky,Sofya Fadeyeva,恩斯特-格奥尔格·施维尔,奥特马尔·里希特,叶连娜·多布龙拉沃娃,尼古拉·普罗科波维奇
根据瓦吉姆·柯热夫尼科夫同名长篇小说改编,描写伟大卫国战争期间看不见的战线上敌我殊死的斗争,歌颂苏联国安英雄不朽的功勋。影片一共四集,名字分别是:1.无权做自己Безправабытьсобой2.奉命活下去...Приказановыжить…3.不得申诉Обжалованиюнеподлежит4.最后的界线Последнийрубеж故事大意:1939年,苏联国家安全委员会侦察员亚历山大·别洛夫化名约翰·魏斯,随同党卫军要员的侄子海因里希·施瓦茨科普夫由拉脱维亚移居德国,经过一番周旋当上了谍报局老牌特务施泰因格利茨的司机并长期潜伏下来...КГБ侦察员别洛夫同志建立了如下功勋:在德军入侵苏联前夕发出警报;在波兰组织地下小组展开武装斗争;策反海因里希,使之成为反法西斯战士;破坏德军情报部门派遣特务去苏联的计划;打入法西斯德军保安处,担任秘密信使;揭露英美与希姆莱秘密谈判、企图单独媾和的阴谋;第三帝国灭亡前夜,破坏法西斯分子灭绝集中营、杀害战俘的计划;...电影主题曲《祖国从哪里开始》的风格与惊心动魄的剧情形成强烈反差,它节奏舒缓,曲调轻柔,歌词中每一个字都包含着苏维埃侦察英雄怀想远方祖国的赤子之情。
5.0 俄语 · 1968 · 苏联 · 战争片
斯坦尼斯拉夫·柳布申,阿拉·基米多娃,黑尔佳·戈林,柳德米拉·丘尔辛娜,Nikolay Zasukhin,奥列格·扬科夫斯基,阿列克谢·格拉济林,尤奥扎斯·布德赖蒂斯,阿尔吉曼塔斯·马修利斯,Mikhail Pogorzhelsky,Sofya Fadeyeva,恩斯特-格奥尔格·施维尔,奥特马尔·里希特,叶连娜·多布龙拉沃娃,尼古拉·普罗科波维奇
根据瓦吉姆·柯热夫尼科夫同名长篇小说改编,描写伟大卫国战争期间看不见的战线上敌我殊死的斗争,歌颂苏联国安英雄不朽的功勋。影片一共四集,名字分别是:1.无权做自己Безправабытьсобой2.奉命活下去...Приказановыжить…3.不得申诉Обжалованиюнеподлежит4.最后的界线Последнийрубеж故事大意:1939年,苏联国家安全委员会侦察员亚历山大·别洛夫化名约翰·魏斯,随同党卫军要员的侄子海因里希·施瓦茨科普夫由拉脱维亚移居德国,经过一番周旋当上了谍报局老牌特务施泰因格利茨的司机并长期潜伏下来...КГБ侦察员别洛夫同志建立了如下功勋:在德军入侵苏联前夕发出警报;在波兰组织地下小组展开武装斗争;策反海因里希,使之成为反法西斯战士;破坏德军情报部门派遣特务去苏联的计划;打入法西斯德军保安处,担任秘密信使;揭露英美与希姆莱秘密谈判、企图单独媾和的阴谋;第三帝国灭亡前夜,破坏法西斯分子灭绝集中营、杀害战俘的计划;...电影主题曲《祖国从哪里开始》的风格与惊心动魄的剧情形成强烈反差,它节奏舒缓,曲调轻柔,歌词中每一个字都包含着苏维埃侦察英雄怀想远方祖国的赤子之情。
6.0 俄语 · 1968 · 苏联 · 战争片
斯坦尼斯拉夫·柳布申,阿拉·基米多娃,黑尔佳·戈林,柳德米拉·丘尔辛娜,Nikolay Zasukhin,奥列格·扬科夫斯基,阿列克谢·格拉济林,尤奥扎斯·布德赖蒂斯,阿尔吉曼塔斯·马修利斯,Mikhail Pogorzhelsky,Sofya Fadeyeva,恩斯特-格奥尔格·施维尔,奥特马尔·里希特,叶连娜·多布龙拉沃娃,尼古拉·普罗科波维奇
根据瓦吉姆·柯热夫尼科夫同名长篇小说改编,描写伟大卫国战争期间看不见的战线上敌我殊死的斗争,歌颂苏联国安英雄不朽的功勋。影片一共四集,名字分别是:1.无权做自己Безправабытьсобой2.奉命活下去...Приказановыжить…3.不得申诉Обжалованиюнеподлежит4.最后的界线Последнийрубеж故事大意:1939年,苏联国家安全委员会侦察员亚历山大·别洛夫化名约翰·魏斯,随同党卫军要员的侄子海因里希·施瓦茨科普夫由拉脱维亚移居德国,经过一番周旋当上了谍报局老牌特务施泰因格利茨的司机并长期潜伏下来...КГБ侦察员别洛夫同志建立了如下功勋:在德军入侵苏联前夕发出警报;在波兰组织地下小组展开武装斗争;策反海因里希,使之成为反法西斯战士;破坏德军情报部门派遣特务去苏联的计划;打入法西斯德军保安处,担任秘密信使;揭露英美与希姆莱秘密谈判、企图单独媾和的阴谋;第三帝国灭亡前夜,破坏法西斯分子灭绝集中营、杀害战俘的计划;...电影主题曲《祖国从哪里开始》的风格与惊心动魄的剧情形成强烈反差,它节奏舒缓,曲调轻柔,歌词中每一个字都包含着苏维埃侦察英雄怀想远方祖国的赤子之情。
8.0 俄语 · 1968 · 苏联 · 战争片
斯坦尼斯拉夫·柳布申,阿拉·基米多娃,黑尔佳·戈林,柳德米拉·丘尔辛娜,Nikolay Zasukhin,奥列格·扬科夫斯基,阿列克谢·格拉济林,尤奥扎斯·布德赖蒂斯,阿尔吉曼塔斯·马修利斯,Mikhail Pogorzhelsky,Sofya Fadeyeva,恩斯特-格奥尔格·施维尔,奥特马尔·里希特,叶连娜·多布龙拉沃娃,尼古拉·普罗科波维奇
根据瓦吉姆·柯热夫尼科夫同名长篇小说改编,描写伟大卫国战争期间看不见的战线上敌我殊死的斗争,歌颂苏联国安英雄不朽的功勋。影片一共四集,名字分别是:1.无权做自己Безправабытьсобой2.奉命活下去...Приказановыжить…3.不得申诉Обжалованиюнеподлежит4.最后的界线Последнийрубеж故事大意:1939年,苏联国家安全委员会侦察员亚历山大·别洛夫化名约翰·魏斯,随同党卫军要员的侄子海因里希·施瓦茨科普夫由拉脱维亚移居德国,经过一番周旋当上了谍报局老牌特务施泰因格利茨的司机并长期潜伏下来...КГБ侦察员别洛夫同志建立了如下功勋:在德军入侵苏联前夕发出警报;在波兰组织地下小组展开武装斗争;策反海因里希,使之成为反法西斯战士;破坏德军情报部门派遣特务去苏联的计划;打入法西斯德军保安处,担任秘密信使;揭露英美与希姆莱秘密谈判、企图单独媾和的阴谋;第三帝国灭亡前夜,破坏法西斯分子灭绝集中营、杀害战俘的计划;...电影主题曲《祖国从哪里开始》的风格与惊心动魄的剧情形成强烈反差,它节奏舒缓,曲调轻柔,歌词中每一个字都包含着苏维埃侦察英雄怀想远方祖国的赤子之情。
4.0 俄语 · 2014 · 俄罗斯 · 恐怖片
谢尔盖·普斯科帕里斯,阿纳托利·比利,赛佛兰娜·科契柯娃,安菲萨·梅德韦迭娃,亚力克萨·巴杜科夫,凯特丽娜·斯皮茨,叶莲娜·维克托罗夫娜·帕诺娃,斯坦尼斯拉夫·杜任科夫,基里尔·普雷特涅夫,伊万·马卡列维奇
在莫斯科两站之间的地铁隧道因施工问题产生裂缝,隧道天花板渗漏下来的水滴并未引起足够的重视,结果引发莫斯科河水倒灌,载有数百名乘客的地铁列车陷入洪水之中,不仅令地下隧道面临崩溃,也将毁灭整个城市。安德烈加林和他的女儿捷尼亚医生被困在隧道中。加林医生试图营救乘客,其中包括他妻子的情人。他必须克服怨恨,愤怒和恐惧。除了生存,他还要找回自己的爱情和家庭。
6.0 英语 / 法语 · 2005 · 英国 · 科幻片
丹尼尔·雷德克里夫,艾玛·沃森,鲁伯特·格林特,迈克尔·刚本,玛吉·史密斯,汤姆·费尔顿,蒂莫西·斯波,罗伯特·帕丁森,梁佩诗,大卫·田纳特,马克·威廉姆斯,埃里克·赛克斯,詹姆斯·菲尔浦斯,奥利弗·费尔普斯,邦妮·怀特,克蕾曼丝·波西,加里·奥德曼,杰夫·劳勒,詹森·艾萨克,斯坦尼斯拉夫·雅涅夫斯基,罗伯特·哈迪,阿什莉·阿尔图斯,亚历克斯·帕尔墨,罗格·洛伊德-派克,希拉·艾伦,Su Elli
这是一个不同寻常的学期,魔法学校的盛事:三强争霸赛在霍格沃茨举行。学生们争先报名,希翼获得永恒无上的荣誉。火焰杯在选出三所学校的三名勇士后,竟将未足年龄的哈利也挑选出来。 哈利(Daniel Radcliffe饰)的当选引起其他学生的嫉妒连连,就连铁哥们罗恩(Rupert Grint饰)也首次和他闹起了别扭,哈利感到孤立无援,还好有教父小天狼星和赫敏一直支持他。
2.0 英语 / 法语 · 2005 · 英国 · 科幻片
丹尼尔·雷德克里夫,艾玛·沃森,鲁伯特·格林特,迈克尔·刚本,玛吉·史密斯,汤姆·费尔顿,蒂莫西·斯波,罗伯特·帕丁森,梁佩诗,大卫·田纳特,马克·威廉姆斯,埃里克·赛克斯,詹姆斯·菲尔浦斯,奥利弗·费尔普斯,邦妮·怀特,克蕾曼丝·波西,加里·奥德曼,杰夫·劳勒,詹森·艾萨克,斯坦尼斯拉夫·雅涅夫斯基,罗伯特·哈迪,阿什莉·阿尔图斯,亚历克斯·帕尔墨,罗格·洛伊德-派克,希拉·艾伦,Su Elli
这是一个不同寻常的学期,魔法学校的盛事:三强争霸赛在霍格沃茨举行。学生们争先报名,希翼获得永恒无上的荣誉。火焰杯在选出三所学校的三名勇士后,竟将未足年龄的哈利也挑选出来。 哈利(Daniel Radcliffe饰)的当选引起其他学生的嫉妒连连,就连铁哥们罗恩(Rupert Grint饰)也首次和他闹起了别扭,哈利感到孤立无援,还好有教父小天狼星和赫敏一直支持他。
5.0 国语 · 2006 · 其它 · 战争片
哥德昂·布克哈德,拉莱·亚瓦什,莉娜·比叶琳,西贝尔·凯基莉,Roman Roth,布里吉特·格罗瑟姆,Hans-Jürgen Silbermann,Sharon Brauner,朱拉什·库库拉,路德韦格·布洛克伯格,沃依特赫·科特克,琼戈尔·考绍伊,Magdalena Sidonová,尼娜·蒂维斯科娃,斯坦尼斯拉夫·辛杜卡
故事发生在1943年的柏林,纳粹对犹太人的屠杀已经接近了尾声。最后一批生活在德国的犹太人被赶上了开往集中营的火车,拥挤狭窄的车厢中没有任何食物,这最后的六百多名犹太人,他们的结局似乎只有两个——死在火车上,或是死在集中营里。 亨瑞(哥德昂·布克哈德 Gedeon Burkhard 饰)和他的太太露丝(西贝尔·凯基莉 Sibel Kekilli 饰)以及他们的两个孩子也在其中,巨大的压力和痛苦之中,露丝亲手杀死了自己的孩子。珠宝修理员艾伯特(Roman Roth 饰)和老板的女儿相恋已久,他们决定只要能够活着走下火车,就举行结婚仪式。时间一分一秒的前进着,火车离最后的死亡终点站越来越近。
2.0 其它 · 1972 · 其它 · 战争片
安德烈·马尔蒂诺夫,伊琳娜·多尔加诺娃,伊莲娜·德罗佩科,叶卡捷琳娜·马尔科娃,奥尔佳·奥斯特罗乌莫娃,伊利娜·舍甫丘克,柳德米拉·扎伊采娃,阿拉·梅谢里亚科娃,Nina Emelyanova,阿列克谢·切尔诺夫,维克多·阿夫久什科,V. Antonov,Svetlana Borisova,Andrey Gribushin,T. Gunina
本片根据鲍瓦西里耶夫于小说《这里的黎明静悄悄》改编。 影片获1973年威尼斯国际电影节纪念奖、全苏电影节大奖,1975年又获列宁奖金。 1942年之夏,瓦斯柯夫准尉带领一个排的四联装高射炮的炮手驻扎在一个靠近小车站的村子里。一天,班长丽达在不远的树林里发现了空降的德军。 瓦斯柯夫带 领一支小分队去搜查敌军,成员包括丽萨、迦尔卡、丽达、索妮娅、冉妮娅五个姑娘。队员们英勇牺牲了,受重伤的丽达不愿连累准尉把儿子托付给他后饮弹自尽。悲愤的瓦斯柯夫一举歼灭敌军营,光荣完成了任务获得援救。多年后,瓦斯柯夫带着丽达那个现在是军官的儿子来到当年他母亲牺牲的小树林,对所有的女兵们表示了深深的敬意。
8.0 俄语 · 2013 · 俄罗斯 · 恐怖片
谢尔盖·普斯科帕里斯,阿纳托利·比利,赛佛兰娜·科契柯娃,安菲萨·梅德韦迭娃,亚力克萨·巴杜科夫,凯特丽娜·斯皮茨,叶莲娜·维克托罗夫娜·帕诺娃,斯坦尼斯拉夫·杜任科夫,基里尔·普雷特涅夫,伊万·马卡列维奇
在莫斯科两站之间的地铁隧道因施工问题产生裂缝,隧道天花板渗漏下来的水滴并未引起足够的重视,结果引发莫斯科河水倒灌,载有数百名乘客的地铁列车陷入洪水之中,不仅令地下隧道面临崩溃,也将毁灭整个城市。安德烈加林和他的女儿捷尼亚医生被困在隧道中。加林医生试图营救乘客,其中包括他妻子的情人。他必须克服怨恨,愤怒和恐惧。除了生存,他还要找回自己的爱情和家庭。
6.0 英语 · 2005 · 英国 · 科幻片
丹尼尔·雷德克里夫,艾玛·沃森,鲁伯特·格林特,迈克尔·刚本,玛吉·史密斯,汤姆·费尔顿,蒂莫西·斯波,罗伯特·帕丁森,梁佩诗,大卫·田纳特,马克·威廉姆斯,埃里克·赛克斯,詹姆斯·菲尔普斯,奥利弗·菲尔普斯,邦妮·怀特,克蕾曼丝·波西,加里·奥德曼,杰夫·劳勒,詹森·艾萨克,斯坦尼斯拉夫·雅涅夫斯基,罗伯特·哈迪,阿什莉·阿尔图斯,亚历克斯·帕尔墨,罗格·洛伊德-派克,希拉·艾伦,Su Elli
这是一个不同寻常的学期,魔法学校的盛事:三强争霸赛在霍格沃茨举行。学生们争先报名,希翼获得永恒无上的荣誉。火焰杯在选出三所学校的三名勇士后,竟将未足年龄的哈利也挑选出来。 哈利(Daniel Radcliffe饰)的当选引起其他学生的嫉妒连连,就连铁哥们罗恩(Rupert Grint饰)也首次和他闹起了别扭,哈利感到孤立无援,还好有教父小天狼星和赫敏一直支持他。可总有些好事者如记者丽塔等着看他的好戏。天知道这场比赛是何等艰辛危险,在龙的眼皮下偷蛋,潜入湖底救人,在迷宫中探险……一不小心,甚至可能付出生命的代价。 黑魔王伏地魔的威胁渐渐显现,每一天都险象环生,动人心弦。
8.0 其它 · 1961 · 其它 · 战争片
Andrzej Banaszewski,Beata Barszczewska,马里乌什·德莫霍夫斯基
In 1961, Stanislaw Rozewicz created the novella film "Birth Certificate" in cooperation with his brother, Taduesz Rozewicz as screenwriter. Such brother tandems are rare in the history of film but aside from family ties, Stanislaw (born in 1924) and Taduesz (born in 1921) were mutually bound by their love for the cinema. They were born and grew up in Radomsk, a small town which had "its madmen and its saints" and most importanly, the "Kinema" cinema, as Stanislaw recalls: for him cinema is "heaven, the whole world, enchantment". Tadeusz says he considers cinema both a charming market stall and a mysterious temple. "All this savage land has always attracted and fascinated me," he says. "I am devoured by cinema and I devour cinema; I'm a cinema eater." But Taduesz Rozewicz, an eminent writer, admits this unique form of cooperation was a problem to him: "It is the presence of the other person not only in the process of writing, but at its very core, which is inserperable for me from absolute solitude." Some scenes the brothers wrote together; others were created by the writer himself, following discussions with the director. But from the perspective of time, it is "Birth Certificate", rather than "Echo" or "The Wicked Gate", that Taduesz describes as his most intimate film. This is understandable. The tradgey from September 1939 in Poland was for the Rozewicz brothers their personal "birth certificate". When working on the film, the director said "This time it is all about shaking off, getting rid of the psychological burden which the war was for all of us. ... Cooperation with my brother was in this case easier, as we share many war memories. We wanted to show to adult viewers a picture of war as seen by a child. ... In reality, it is the adults who created the real world of massacres. Children beheld the horrors coming back to life, exhumed from underneath the ground, overwhelming the earth." The principle of composition of "Birth Certificate" is not obvious. When watching a novella film, we tend to think in terms of traditional theatre. We expect that a miniature story will finish with a sharp point; the three film novellas in Rozewicz's work lack this feature. We do not know what will be happen to the boy making his alone through the forest towards the end of "On the Road". We do not know whether in "Letter from the Camp", the help offered by the small heroes to a Soviet prisoner will rescue him from the unknown fate of his compatriots. The fate of the Jewish girl from "Drop of Blood" is also unclear. Will she keep her new impersonation as "Marysia Malinowska"? Or will the Nazis make her into a representative of the "Nordic race"? Those questions were asked by the director for a reason. He preceived war as chaos and perdition, and not as linear history that could be reflected in a plot. Although "Birth Certificate" is saturated with moral content, it does not aim to be a morality play. But with the immense pressure of reality, no varient of fate should be excluded. This approached can be compared wth Krzysztof Kieslowski's "Blind Chance" 25 years later, which pictured dramatic choices of a different era. The film novella "On the Road" has a very sparing plot, but it drew special attention of the reviewers. The ominating overtone of the war films created by the Polish Film School at that time should be kept in mind. Mainly owing to Wajda, those films dealt with romantic heritage. They were permeated with pathos, bitterness, and irony. Rozewicz is an extraordinary artist. When narrating a story about a boy lost in a war zone, carrying some documents from the regiment office as if they were a treasure, the narrator in "On the Road" discovers rough prose where one should find poetry. And suddenly, the irrational touches this rather tame world. The boy, who until that moment resembled a Polish version of the Good Soldier Schweik, sets off, like Don Quixote, for his first and last battle. A critic described it as "an absurd gesture and someone else could surely use it to criticise the Polish style of dying. ... But the Rozewicz brothers do no accuse: they only compose an elegy for the picturesque peasant-soldier, probably the most important veteran of the Polish war of 1939-1945." "Birth Certificate" is not a lofty statement about national imponderabilia. The film reveals a plebeian perspective which Aleksander Jackieqicz once contrasted with those "lyrical lamentations" inherent in the Kordian tradition. However, a historical overview of Rozewicz's work shows that the distinctive style does not signify a fundamental difference in illustrating the Polish September. Just as the memorable scene from Wajda's "Lotna" was in fact an expression of desperation and distress, the same emotions permeate the final scene of "Birth Certificate". These are not ideological concepts, though once described as such and fervently debated, but rather psychological creations. In this specific case, observes Witold Zalewski, it is not about manifesting knightly pride, but about a gesture of a simple man who does not agree to be enslaved. The novella "Drop of Blood" is, with Aleksander Ford's "Border Street", one of the first narrations of the fate of the Polish Jews during the Nazi occupation. The story about a girl literally looking for her place on earth has a dramatic dimension. Especially in the age of today's journalistic disputes, often manipulative, lacking in empathy and imbued with bad will, Rozewicz's story from the past shocks with its authenticity. The small herione of the story is the only one who survives a German raid on her family home. Physical survial does not, however, mean a return to normality. Her frightened departure from the rubbish dump that was her hideout lead her to a ruined apartment. Her walk around it is painful because still fresh signs of life are mixed with evidence of annihilation. Help is needed, but Mirka does not know anyone in the outside world. Her subsequent attempts express the state of the fugitive's spirits - from hope and faith, moving to doubt, a sense of oppression, and thickening fear, and finally to despair. At the same time, the Jewish girl's search for refuge resembles the state of Polish society. The appearance of Mirka results in confusion, and later, trouble. This was already signalled by Rozewicz in an exceptional scene from "Letter from the Camp" in which the boy's neighbour, seeing a fugitive Russian soldier, retreats immediately, admitting that "Now, people worry only about themselves." Such embarassing excuses mask fear. During the occupation, no one feels safe. Neither social status not the aegis of a charity organisation protects against repression. We see the potential guardians of Mirka passing her back and forth among themselves. These are friendly hands but they cannot offer strong support. The story takes place on that thin line between solidarity and heroism. Solidarity arises spontaneously, but only some are capable of heroism. Help for the girl does not always result from compassion; sometimes it is based on past relations and personal ties (a neighbour of the doctor takes in the fugitive for a few days because of past friendship). Rozewicz portrays all of this in a subtle way; even the smallest gesture has significance. Take, for example, the conversation with a stranger on the train: short, as if jotted down on the margin, but so full of tension. And earlier, a peculiar examination of Polishness: the "Holy Father" prayer forced on Mirka by the village boys to check that she is not a Jew. Would not rising to the challenge mean a death sentance? Viewed after many years, "Birth Certificate" discloses yet another quality that is not present in the works of the Polish School, but is prominent in later B-class war films. This is the picture of everyday life during the war and occupation outlined in the three novellas. It harmonises with the logic of speaking about "life after life". Small heroes of Rozewicz suddenly enter the reality of war, with no experience or scale with which to compare it. For them, the present is a natural extension of and at the same time a complete negation of the past. Consider the sleey small-town marketplace, through which armoured columns will shortly pass. Or meet the German motorcyclists, who look like aliens from outer space - a picture taken from an autopsy because this is how Stanislaw and Taduesz perceived the first Germans they ever met. Note the blurred silhouettes of people against a white wall who are being shot - at first they are shocking, but soon they will probably become a part of the grim landscape. In the city centre stands a prisoner camp on a sodden bog ("People perish likes flies; the bodies are transported during the night"); in the street the childern are running after a coal wagon to collect some precious pieces of fuel. There's a bustle around some food (a boy reproaches his younger brother's actions by singing: "The warrant officer's son is begging in front of the church? I'm going to tell mother!"); and the kitchen, which one evening becomes the proscenium of a real drama. And there are the symbols: a bar of chocolate forced upon a boy by a Wehrmacht soldier ("On the Road"); a pair of shoes belonging to Zbyszek's father which the boy spontaneously gives to a Russian fugitive; a priceless slice of bread, ground under the heel of a policeman in the guter ("Letters from the Camp"). As the director put it: "In every film, I communicate my own vision of the world and of the people. Only then the style follows, the defined way of experiencing things." In Birth Certificate, he adds, his approach was driven by the subject: "I attempted to create not only the texture of the document but also to add some poetic element. I know it is risky but as for the merger of documentation and poety, often hidden very deep, if only it manages to make its way onto the screen, it results in what can referred to as 'art'." After 1945, there were numerous films created in Europe that dealt with war and children, including "Somewhere in Europe" ("Valahol Europaban", 1947 by Geza Radvanyi), "Shoeshine" ("Sciescia", 1946 by Vittorio de Sica), and "Childhood of Ivan" ("Iwanowo dietstwo" by Andriej Tarkowski). Yet there were fewer than one would expect. Pursuing a subject so imbued with sentimentalism requires stylistic disipline and a special ability to manage child actors. The author of "Birth Certificate" mastered both - and it was not by chance. Stanislaw Rozewicz was always the beneficent spirit of the film milieu; he could unite people around a common goal. He emanated peace and sensitivity, which flowed to his co-workers and pupils. A film, being a group work, necessitates some form of empathy - tuning in with others. In a biographical documentary about Stanislaw Rozewicz entitled "Walking, Meeting" (1999 by Antoni Krauze), there is a beautiful scene when the director, after a few decades, meets Beata Barszczewska, who plays Mireczka in the novella "Drops of Blood". The woman falls into the arms of the elderly man. They are both moved. He wonders how many years have passed. She answers: "A few years. Not too many." And Rozewicz, with his characteristic smile says: "It is true. We spent this entire time together."
5.0 其它 · 1987 · 其它 · 剧情片
亚历山大·凯伊达诺夫斯基,柳德米拉·马克萨科娃,塔雅娜·德鲁比奇,弗拉基米尔·米哈伊洛维奇·泽尔金
荒凉的德文郡沿海索吉尔岛。十个陌生人被邀请到这座与世隔绝的小岛上做客,却没有任何一个人知道邀请者的庐山真面目。十人到达之后,只有一段神秘的录音记录响彻于耳。它揭穿了每一个人并不光彩的过去,这十个人都曾涉及过杀人案件。面对赤裸裸的指证,每一个人都惊慌失措。而更令众人惶恐不 安的是,他们正按着一首可怕童谣的歌词而逐一离奇死去。桌上的十个印第安小瓷像,正露出邪恶而诡异的笑容。 本部悬疑惊悚影片《十个小黑人》改编自著名英国推理小说作家阿加莎·克里斯蒂的同名畅销小说。
8.0 其它 · 1999 · 俄罗斯 · 剧情片
米哈伊尔·乌里扬诺夫,亚历山大·波罗霍夫什奇科夫,谢尔盖·加尔马什,伊琳娜·罗扎诺娃,马拉特·巴沙罗夫,阿里克谢·马卡罗夫,Ilya Drevnov,弗拉季斯拉夫·加尔金,格奥尔基·玛尔季罗西扬,Aleksei Goltsov
該片由俄羅斯國家杜馬的獨立議員斯·戈沃魯欣執導。 A very typical post-Soviet era storyline. A bunch of vagabonds lured an innocent teenage girl to their apartment, offered her a drink, intimidated then gang raped her. Local cops are incapable to undertake an adequate action against the scoundrels - prevented by the superior chief of the local police (militia) which is the dad of one the scumbags. The case is closed. The girl's grand-dad tired of endless circumlocution decides to take revenge of his own.
4.0 其它 · 1965 · 其它 · 剧情片
瓦伦丁·波波夫,尼古拉·古本科,斯坦尼斯拉夫·柳布申,玛丽安娜·沃汀斯卡娅,Zinaida Zinoveva,Svetlana Starikova,列夫·普雷古诺夫
谢尔盖(Valentin Popov 饰)、尼古拉(尼古拉·古边科 Nikolai Gubenko 饰)和斯拉瓦(斯坦尼斯拉夫·柳布申 Stanislav Lyubshin 饰)是从小玩到大的青梅竹马的好友,长大后,他们都选择了当兵报效祖国,在退役之后,三人走上了他们不同的人生道路。 谢尔盖一直想要进入动力学院念书,但因为父亲在早年间的战争中不幸丧命,母亲和妹妹维拉(斯维特兰娜·斯维特利奇娜娅 Svetlana Svetlichnaya 饰)全部都要靠着他来养活,因此谢尔盖不得不放弃了念书的念头。斯拉瓦早早就步入了婚姻的殿堂,然而婚姻带给他的,却只有痛苦和争吵。尼古拉的性格要比另外两人稍稍幼稚一些,整天大大咧咧笑嘻嘻的他似乎没有什么烦恼。
6.0 其它 · 2013 · 俄罗斯 · 剧情片
谢尔盖·普斯科帕里斯,阿纳托利·比利,赛佛兰娜·科契柯娃,安菲萨·梅德韦迭娃,亚力克萨·巴杜科夫,凯特丽娜·斯皮茨,叶莲娜·维克托罗夫娜·帕诺娃,斯坦尼斯拉夫·杜任科夫,基里尔·普雷特涅夫,伊万·马卡列维奇
在莫斯科两站之间的地铁隧道因施工问题产生裂缝,隧道天花板渗漏下来的水滴并未引起足够的重视,结果引发莫斯科河水倒灌,载有数百名乘客的地铁列车陷入洪水之中,不仅令地下隧道面临崩溃,也将毁灭整个城市。安德烈加林和他的女儿捷尼亚医生被困在隧道中。加林医生试图营救乘客,其中包括他妻子的情人。他必须克服怨恨,愤怒和恐惧。除了生存,他还要找回自己的爱情和家庭。
4.0 国语 · 2013 · 俄罗斯 · 剧情片
谢尔盖·普斯科帕里斯,阿纳托利·比利,赛佛兰娜·科契柯娃,安菲萨·梅德韦迭娃,亚力克萨·巴杜科夫,凯特丽娜·斯皮茨,叶莲娜·维克托罗夫娜·帕诺娃,斯坦尼斯拉夫·杜任科夫,基里尔·普雷特涅夫,伊万·马卡列维奇
在莫斯科两站之间的地铁隧道因施工问题产生裂缝,隧道天花板渗漏下来的水滴并未引起足够的重视,结果引发莫斯科河水倒灌,载有数百名乘客的地铁列车陷入洪水之中,不仅令地下隧道面临崩溃,也将毁灭整个城市。安德烈加林和他的女儿捷尼亚医生被困在隧道中。加林医生试图营救乘客,其中包括他妻子的情人。他必须克服怨恨,愤怒和恐惧。除了生存,他还要找回自己的爱情和家庭。